Janine is responsible for the technical running of the studio.
His first electroacoustic compositions appeared as early as 1981 and were released on the ARGOL label.
From then on, his compositions were often played during his exhibitions.
His ideas on the progression of sound over time and its spatial dimension are a major focus of his interest. His compositions follow very strict structures and are often represented by graphic scores. His drawings increasingly incorporate musical references. FORGED SCORE
For Wiggli, sculptures, drawings and musical compositions are all aspects of the same creativity.
Wiggli has published texts containing poetic reflections on his musical work.